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- 'Österreichisches Verkehrsbüro' [palm trees, detail] designed by Hans Hollein
Img. _ 01 Netpic labelled: » Messingarbeiten für Verkehrsbüro (Fa. Trakl, Arch. Hans Hollein,1980) « from http://www.kyral.at/ [retrieved January 2012]
- IN: 'Kunstgeschichte. Open Peer Reviewed Journal, 2010-10
'Charles Jencks und das Prinzip der Doppel-, Mehr- und Überkodierung. Kommunikation und Interpretation der Postmodernen Architektur' by Steffen Krämer
Summary: http://www.kunstgeschichte-ejournal.net/
1 [page 7, 8]
- 'The Great Kitchen' of The Royal Pavilion in Brighton, designed by John Nash, who transformed the Pavilion from 1815 to 1822 [1823] into its current state.
Img. _ 02 Netpic labelled: » […] the cast iron columns supporting the roof are made in the form of palm leaves. « from http://austenonly.com/ [retrieved January 2012, © Royal Pavilion & Museums, Brighton & Hove]
- 'The Royal Pavilion Brighton' [museumsguide] published by The Royal Pavilion, Art Gallery and Museums/Brighton Borough Council, 1986, revised 1988.
2 [page 15]
- Img. _ 03 Netpic from http://www.bluffton.edu/ [retrieved January 2012]
- Wikimedia Commons http://commons.wikimedia.org/
Img. _ 04 labelled: » Though similar to the minaret of the Great Mosque of Samarra, it is actually the spiral minaret at Abu Dulaf, 15 km north of Samarra. « [retrieved January 2012]
Img. _ 05 labelled: » One Canada Square « [multiple creators, detail, retrieved January 2012]
Img. _ 06 labelled: » World Financial Center in New York City, in July 2006. Photo by Aude « [detail, retrieved January 2012]
- Video by Stefan Stöhr 2012 http://youtu.be/ 2 3
Img. _ 07 Screenshot
Img. _ 08 Screenshot
3 Statement by Dr. Heribert Sutter, curator of monuments
- 'Made in China: European Clone Towns' (published online November 20, 2012 at 3:10 pm) http://www.messynessychic.com/
Img. _ 09 Netpic [retrieved December 2012]
- 4 » Hoping to bring the 'European Lifestyle' to China's growing number of wealthy residents, the 31 km2 development features several reproductions of famous Parisian landmarks, including the Eiffel Tower and Arc de Triomphe. At 108 metres, Tianducheng's Eiffel Tower is the second largest replica of the Eiffel Tower in the world – roughly one third the height of its Parisian namesake. « published online 25th of February 2008 http://googlesightseeing.com/ [retrieved December 2012]
- via Google Image Search
Img. _ 10 Netpic from http://destinia.com/ [detail, retrieved December 2012]
Img. _ 12 Netpic by 'bagrfakr' http://bagrfakr.deviantart.com/art/ [2010-2013, detail, retrieved January 2013]
- 5 posted by Fabrizio Gallanti 15.02.2011
http://framingark.blogspot.co.at/
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Img. _ 11 Netpic from http://varnelis.net/ [detail, retrieved January 2013]
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Img. _ 13 Netpic from http://www.spiegel.de/ [2 34 detail, retrieved July 2013]
- 6 Published online on October 17, 2012 by Peter Wang http://www.chinawhisper.com/ [retrieved July 2013]
» The word "shanzhai" originally means "mountain village," but the term was given a new life in China. "Shanzhai" has taken on a broader meaning, denoting fake, unprofessional or homemade, a slang term for anything that steals ideas or styles from already well-known stuff. « [Posted on November 2, 2010 by Peter Wang ] http://www.chinawhisper.com/
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Img. _ 14 Netpic from http://www.n-tv.de/ [AP, detail, retrieved July 2013]
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Img. _ 15 Netpic from http://blogs.artinfo.com/ [Str/AFP/Getty Images, detail, retrieved January 2014]
» This picture shows the Meiquan 22nd Century building in China's southwest Chongqing on January 3, 2012. [...] « http://www.gettyimages.at/
- 7 'Twin buildings appeared in Beijing and Chongqing' published online in August 2012 by Jessie Chen http://www.chinaipmagazine.com/
» On May 14th [2012], SOHO China and Chongqing Meiquan held press conferences respectively. Chongqing Meiquan, speaking with Chongqing dialect, stated that the design of Meiquan 22nd Century was inspired by the cobblestones on the bank of the Yangtze River by which Chongqing was built. He demanded that SOHO China delete the “untruthful accusations on Sina Microblog and withdraw the lawyer’s letter.” However, Pan took a tough stance on this issue, saying that Wangjing SOHO was designed to reproduce the image of Koi, which symbolizes “wealth, luck, health and happiness” in Chinese culture, and insisted on filing a lawsuit. [...] « http://ipr.chinadaily.com.cn/ updated: 2012-10-31
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Img. _ 16 Netpic from http://www.zaha-hadid.com/ [detail, retrieved January 2014]
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